Showing posts with label Alejandra Simoncelli. Show all posts
Showing posts with label Alejandra Simoncelli. Show all posts

Thursday, 8 November 2012

Assignment nº2 : Poetry Anthology




(Edna St. Vincent Millay. 1892-1950)

Oh,Oh you will be sorry for that word!
 Give back my book and take my kiss instead.
 Was it my enemy or my friend I heard,
 "what a big book for such a little head!"
 Come, I will show you now my newest hat,
 And you may watch me purse my mouth and prink!
Oh I shall love you still, and all of that.
I never again shall tell you what I think.
 I shall be sweet and crafty, soft and sly;
You will not catch me reading any more:
 I shall be called a wife to pattern by;
And some day when you knock and push the door,
Some sane day, not too bright and not too stormy,
I shall be gone, and you may whistle for me.                         
( Edna St. Vicent Millay)










 I chose this lyrical poem as it was written by a woman and the main theme is precisely the role of women in society. It talks about a man who considers his wife not intelligent enough to read a book, instead of that, she is supposed to be a model wife, sweet and craft and only caring about buying new things.
  The selection of the pictures is pretty obvious as it shows, on the one hand, the expected model wife, beautiful and only using her head to wear hats and, on the other hand, the woman who has her own interests and is not worried about being what she wants to be, although it may involve leaving her husband.




The Parting  (Michael Drayton. 1563 – 1631)      

SINCE there’s no help, come let us kiss and part –
Nay, I have done, you get no more of me;
And I am glad, yea, glad with all my heart,
That thus so cleanly I myself can free.
Shake hands for ever, cancel all our vows,
And when we meet at any time again,
Be it not seen in either of our brows
That we one jot of former love retain.
Now at the last gasp of Love’s latest breath,
When, his pulse failing, Passion speechless lies,
When Faith is kneeling by his bed of death,
And Innocence is closing up his eyes,
- Now if thou wouldst, when all have given him over,
       From death to life thou might’st him yet recover.


 I chose another lyrical poem because I found the major theme of it really interesting. I talks about a marriage that is coming to an end. At first the husband is glad with the separation as it is a clean break and he enjoys his freedom. But then the mood changes and he reveals that the decision is on her hands...if she wants she can go back and recover his love.

In my opinion, these 2 pictures show both feelings: the first one is portraying divorce as a reason for celebration. The second refers to the second mood explained in this poem, the desire of the narrator to recover the love of his wife.




Annabel Lee (Edgar Allan Poe. 1809-1849)

It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.

I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.

And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.

The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.

For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.


The third poem  is a narrative poem I really enjoyed reading. It is a love poem that tells us the story of two children who deeply love each other...so deeply that the angels of heaven are so envious of that love that decide to kill the little Annabel Lee. Nevertheless, no one can separate them, and that love transcends death and lives forever.
The picture clearly illustrate the love of two infants and this idea is reinforced by the text appearing on it: "Love is a moment that lasts forever".

Friday, 2 November 2012

Post 3: After reading the whole play



I consider honour is the central theme in this play, not honour form a broad perspective but particularly in connection with virginity. Related to this, Leonato says:
“O Fate, take not away thy heavy hand!
Death is the fairest cover for her shame
That may be wished for.”
Clearly he is wishing for his daughter’s death immediately after he is told she is not a virgin, which brings shame not only on Hero but also on the whole family, ruining their reputation.
As regards the title, I want to consider 2 different interpretations of it. The first and more literal one is the one explained by Mariel (Loreto) which refers to a phrase used to describe a situation in which there has been a lot of excitement about something that is not really important. In this case, there is a frustrated marriage and a lot of suffering around a fictitious situation, i.e. Hero’s unfaithfulness to Claudio.
The second interpretation I want to mention is that, by the time this play was written, the word “nothing” was pronounced in the same way as “noting”. This meaning of the title refers to the fact that the characters spend the whole play noting what the others do and that leads to the development of the main events. Consequently, at that time there probably was a more evident wordplay.
What surprised me most about the play and made me think a lot about it is the way in which love is presented. As we discussed in class, Hero and Claudio almost don’t know each other but they agree on getting married. On the other hand, although Beatrice and Benedick apparently have had a sort of relationship in the past, they are (at first) too proud to admit their love for each other. In both cases...are we really talking about true love???
If I had the chance to ask William Shakespeare one question I would ask him what he really thinks about the central themes of their plays: marriage, love, the role of women, among others. I am interested in knowing if he considers these issues as he portrays them in his plays or if it is a sort of criticism intending people reflect on them.

Thursday, 18 October 2012

Post II: After reading Act III

Mi first impression about Benedick and Beatrice was that they would be a sort of enemies throughout the whole play. Obviously, this prediction was immediately contradicted as they, with a little help of their friends, fall in love with each other.
I really like Beatrice as she has a strong character, she shows herself as being a clever woman, very talkative, who always says what she really thinks without caring about other people's opinions and usually making use of a mocking tone. She is a confirmed bachelorette who refuses to marry anybody and what's more striking is that she seems to be happy about it!

Later in the play, we learn that her decision about marriage is not so irrevocable as she falls in love with Benedick and I imagine she will reconsider it. As Walter mentioned before, another noticeable change in the play occurs at the level of the tone, as it starts as a happy comedy but, by the end of the 3erd Act, it becomes dark and almost tragic, as it involves a lot of suffering on the part of Claudio and Hero who are about to get married but are tricked by Don John and his men who convince Claudio that Hero is unfaithful to him.

Humour is achieved mainly by 3 characters. First, Beatrice is in charge of it as she constantly mocks Benedick, but then, 2 funny characters appear on scene: Dogberry and Verges who are 2 watchmen who bring about a series of innocent misunderstandings that prevent Hero and Claudio from having a happy wedding.

Quotation:
Beatrice: " What should I do with him? Dress him in my apparel and make him my waiting gentlewoman? He that hath a beard is more than a youth, and he that hath no beard is less than a man; and he that is more than a youth is not for me, and he that is less than a man, I am not for him. Therefore I will even take sixpence in earnest of the bearherd, and lead his apes into hell." (Act 2. Scene 1)

I chose this quotation because I think this is a very witty remark that clearly portrays Beatrice as she really is. While reading it I thought she may adopt this posture towards love to protect herself from her own vulnerability and to avoid being damaged by men. I imagine she had bad experiences with men before or maybe she has not found the correct one...yet.